“I have had the pleasure of working with Postred’s Foley during the summer of 2020 on a feature film shot in an amusement park that was open to the public during production. A lot of the production sound just couldn’t be used, because of the background music in the park. Beso and his team did an excellent job of doing full coverage for the whole feature. It was really noticeable that you guys know what the re-recording mixer needs. Every detail was there, in perfect sync, separation of foreground and background and following changing perspectives, everything in a well organized Pro Tools sessions, perfect! Excellent choice of props and surfaces which made it easy to blend Foley with production sound. I could have just had the Foley fader open unity gain, but it was even more fun to play around with it. Your Foley artists rock! I spotted a lot of totally sync one-takers. Communication was very pleasant and the delivery was super fast! I am very much looking forward to the next opportunity to work together.”

“More I mix your work the happier I get. You guys did a really stellar job. I’m serious when I say that I am really looking forward to working with you guys again on the next one.
The quality of your work is really cinematic and so easy to mix. It’s just dialed in so perfectly that it’s the first time I don’t feel I need to constantly fix things or duck out of the foley to hide it. I’m so excited to bring you in on a project earlier so that we can record material and use it as part of the design and temp mixing way earlier in the process.”

“With a very little direction and only a QuickTime (with a horrible guide track to boot), the Foley team at Postred were able to quickly cue, record, and deliver edited Foley for the film. After unzipping the Pro Tools session and importing it into my master sound edit I hit play. It is one of the only times I have “just hit play” on a Foley session and not immediately reached for the VCA’s to turn all the props and feet down. Each sound was exceptionally well-recorded, with great care taken to not only prop and shoe choice but character’s performance. The sync was spot-on. I did have a handful of notes for the Foley team, which were swiftly executed. But the sheer quality of the sounds they recorded goes to show how the right room, props, and people can transform Foley into something with depth and meaning. is refreshing to have Foley that can play a larger role in telling the director’s story, versus “just for the M&E.” The great communication, dedication to sound quality, and expediency of delivery easily place Postred at the top of my call list for Foley recording.

always a risk when working with new people, especially if they’re not recommended by a colleague. I had an indie feature film that needed full-coverage Foley for international distribution, but my usual collaborators were unavailable. Looking for help, I posted on Facebook and was recommended to give Postred a shot. After reading a bit about their process and wonderfully-built stage in Georgia, I decided to take the risk – mostly due to the excellent communication by Tina, Head of Business Development at Postred.”