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Game Audio

  • Co-development

  • Sound Design

  • Cinematics

Clients

  • Grinding Gear Games
  • Tencent Games
  • Riot Games
  • Activision Blizzard
  • Kuro Games
  • Grinding Gear Games
  • Tencent Games
  • Riot Games
  • Activision Blizzard
  • Kuro Games
  • Grinding Gear Games
  • Tencent Games
  • Riot Games
  • Activision Blizzard
  • Kuro Games
  • MiHoYo
  • Farlight Games
  • Infold Games
  • Funplus
  • MiHoYo
  • Farlight Games
  • Infold Games
  • Funplus
  • MiHoYo
  • Farlight Games
  • Infold Games
  • Funplus
  • DIRECT COLLABORATION
    We work directly with internal audio teams from early exploration through review and delivery. Depending on the project, we add specialist capacity, take ownership of a defined area, or provide focused production support.
  • WORKFLOW AND IMPLEMENTATION
    We align with your communication, review and production workflows, supporting technical audio and in-engine implementation where needed.
Co-development
01
Lead audio designer
What POSTRED brought to Roco Kingdom would have been very difficult to replicate with another external team. Their team combined creativity, scale, and consistency while preserving the individuality of hundreds of characters, and became a key creative partner to our internal audio team.
client
Collaborated Projects
  • Roco Kingdom
Runhang Zeng
Lead audio designer
Audio Lead, Sound Designer
What we value most about POSTRED is their creativity. Throughout our collaboration on Wuthering Waves, they’ve consistently brought fresh ideas and a strong spirit of experimentation to the sound design. They don’t just follow a brief, they explore different possibilities while staying aligned with our artistic direction and adding personality to the game.
client
Collaborated Projects
  • Wuthering Waves
Xuan Yang
Audio Lead, Sound Designer
Supervising Sound Editor/Re-Recording Mixer
What can I say y’all? This is just such great work. You all never cease to amaze me with your attention to detail, quality, and emotion in the work. I really can’t tell you how excited I am about your work!!! You guys bring so much love to your work and it brings a lot of joy to mine.

IMDB CREDITS
Collaborated Projects
  • My Father's Dragon
  • Raymond & Ray
  • C'mon C'mon
Zach Seivers
Supervising Sound Editor/Re-Recording Mixer
  • BESPOKE SOUND, BUILT FOR THE GAME
    We create original sound design for gameplay, characters, and worlds, shaping assets into a coherent sonic language rather than isolated effects.
  • CREATURE SOUND WITH CHARACTER AND SCALE
    We combine performance, original source recording, Foley and sound design to create distinctive creature identities, then scale that work across a growing roster without losing character.
  • PERFORMANCE MAKES THE DIFFERENCE
    Voice, movement, weight and texture are designed together, so each creature feels like one living thing in the game world.
01
  • Bringing Monsters to Life Through Sound
  • ORIGINAL SOURCE FOR PHYSICAL WORLDS
    Our Foley stages, props and material culture give gameplay sound weight, variation and specificity. We create physical source for movement, materials, impacts, creatures and cinematic action.
  • OBJECT PHYSICS SYSTEMS
    We turn friction, rolling, vibration and impact into clear, parameter-driven sound logic that can scale in-engine.
01
  • Our game and film teams work together to create bespoke sound for cinematics, trailers and narrative moments, with the same attention to performance, physical detail and storytelling.
CINEMATIC SOUND DESIGN
  • TOOLS BUILT WHEN THE WORK REQUIRES THEM
    When off-the-shelf approaches cannot deliver the right creative or technical result, we develop custom acoustic instruments and tools to help shape, audition and prepare sound for production.
01
  • The Hellcage
  • Building Custom Instruments & Tools
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